Sacred art from Indian tribal communities
Pithora is a ritualistic wall painting tradition practised by the Rathwa, Bhils, Nayak and Tadi tribes from Gujarat, Rajasthan and Madhya Pradesh. The name, Pithora, refers to the Hindu deity of marriage. These paintings are said to go back a few thousand years, and glimpses of it are still there as cave paintings at a local hilltop near koraj-i-dungar.
The Making
The process of painting is part of a ritual to invoke peace and prosperity and pray for removal of obstacles. Pithora paintings are done on walls to invoke blessings or be rid of problems, be they marital, financial or to do with health. There’s the Ardho Pithoro (half Pithora) and the Akho Pithoro (complete Pithora). In Ardho Pithoro artists draw five to nine horses that are drawn by a single rider, while in Akho Pithoro, 18 horses with their celestial riders make up the painting. Each painting is unique, as the artist leaves distinct marks to signify intellectual and creative rights—a folkloric way of copyrighting.
The Legacy
For people from the Rathwa tribe, Pithora is not merely an art form but a medium to express their faith, culture and history. Baba Pithora is one of the main deities worshipped by the community, and these paintings are a form of devotional appeasement. These drawings appear on three walls inside the homes of Rathwa, especially in the main threshold of the house.
Memory Vault
Since they are expressions of faith and ritualistic belief, Pithora paintings are incomplete without singing and chanting that accompany the ritual of the artistic process .
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