Sanjhi art, which originated in Mathura, is a ritual craft which uses paper stencils to portray scenes from Lord Krishna’s life. The paper is cut out with freehand designs using scissors or a blade. This temple craft is practiced primarily by male priests and their apprentices. Traditionally, the stencil was just meant to create rangolis. Over time, they became prized art pieces in themselves.

The term Sanjhi is derived from the word "sandhya", the time of godhuli (when cows come home after a day of grazing), or what is called dusk. This art form became popular in the 16th century, during the peak of the Bhakti movement. Around this time, worshipping Krishna became more prevalent in India. Later, in the Mughal era, the aesthetic of Sanjhi art became influenced by lattice designs. Sanjhi paper cutting uses fine quality scissors that are somewhat curved. This helps create precise and meticulous cuts. The paper cuttings are then placed on a plain surface and colours are filled into it. After that, the Sanjhi is carefully lifted to leave the pattern intact.

As folk tales go, it was Radha, Lord Krishna’s beloved, who first began making these patterns outside her home using different colours. She used colourful stones, flowers, and leaves to attract Krishna. Seeing her, the other gopis (village damsels) also followed suit, competing with each other for designs. Eventually, this practice became a way of showing devotion to Krishna, evolving into the temple art.

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