Despite similarities with wood inlay work, Sadeli stands apart as a distinctive form of marquetry. It involves adorning wooden surfaces with finely-cut geometrical shapes. These are crafted from delicate pieces of wood and other materials.

Sadeli does bear a resemblance to Khatamkari, the Persian technique of wood marquetry, which originated in Iran during the reign of the Safavid dynasty (1501-1722). The methods, techniques and patterns were appears to have been introduced to Surat by Parsis. This happened when they migrated to Gujarat from Iran.

Most Sadeli craftsmen are accomplished carpenters, who fashion intricate geometric and floral patterns by working with rods. These are made from a diverse range of materials, including ebony, tin, copper, ivory, and even horn. They are sliced transversely, creating thin sheets with repetitive patterns, which are then carefully laid over the wood and securely glued in place. The expert artisans adeptly arrange sheets into captivating designs. One can see a mesmerising interplay of colours, shapes, and dimensions.

In the early years of its popularity, Sadeli adorned doors, windows, and furniture. Over time, craftsmen have broadened the scope of the craft to include décor items and jewellery boxes. Notably, the famous Bombay Box, a large veneered collectible, is actually a Sadeli handicraft made with intricate micro-mosaics on it.

In the catalogue for the Great Exhibition of 1851 (also known as the Crystal Palace Exhibition held in London), Sadeli boxes were sent along with Bengal items according to Sotheby records. Essentially, they were associated with the Bombay Presidency (Bombay, Surat, Ahmedabad, and Bilimora) during British rule.

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